Remembering Milton Glaser | Class of 1951: a Photo Gallery
Remembering Milton Glaser, Class of 1951, an exhibition presented in the colonnade windows of the Foundation Building, from November 13, 2020 to January 15, 2021, celebrates the work of one of the most influential graphic designers of the 20th century. Glaser, a 1951 graduate of The School of Art and a Bronx native, had an outsized impact on the visual landscape of New York, the city he loved with both its energy and eclecticism informing his renowned body of work.
Recognized for the iconic I ♥ NY logo, a design Glaser created that succinctly expressed love for New York City, the exhibition features that famous mark and 24 additional design pieces that he created for New York and beyond. These include some of the city’s loftier institutions and its most quotidian—iconic posters for Carnegie Hall, Lincoln Center, and Brooklyn’s Theater for a New Audience, identity for the Grand Union supermarket chain, branding for the Brooklyn Brewery, and the design of New York Magazine, a publication he co-founded in 1968. Remembering Milton Glaser, Class of 1951 also features a whimsical tourism poster for the Catskills (think cats and mountains) as well as unforgettable advertisement posters for albums by Bob Dylan, comedian Dick Gregory, and more.
Following his graduation in 1951, Glaser, with several of his Cooper classmates, co-founded Push Pin Studios, a graphic design studio that helped define the modern era, before setting out on his own. He was a designer with a conscience who used his wit and visual acuity for campaigns for the World Health Organization’s Special Programme on AIDS, the Arthritis Foundation, the United Nations, among other non-profit clients. A Trustee Emeritus and former faculty member at Cooper Union, his work is also a part of several permanent collections, including The Museum of Modern Art, New York. In 2009, Glaser was recognized for a lifetime of extraordinary work when he received the National Medal of Arts from President Obama. He Glaser remained highly active in graphic design well into his 80s, and spoke about his career in The Cooper Union’s Great Hall in 2017.
Images courtesy of the Milton Glaser Studio except installation photos by Marget Long / Cooper Union. Milton Glaser photo by Michael Somoroff
Promotional poster for the Baby Teeth typeface designed by Milton Glaser, circa 1966; Glaser used this typeface in his Bob Dylan and Hugh Masekela posters
Cover of New York Magazine’s launch issue, 1968
Poster for the New York City Landmarks Preservation Commission, 1980. Simon & Garfunkel at Lincoln Center Philharmonic Hall concert poster, 1967. Poppy Gives Thanks poster for Poppy Records, (Dick Gregory, Townes Van Zandt, The Mandrake Memorial at Carnegie Hall), 1969. From Poppy with Love poster for Poppy Records, 1967.
Advertisement poster for Olivetti’s Valentine typewriter (Mourning Dog, after Piero di Cosimo), 1968. Advertisement poster for Olivetti’s Valentine typewriter (Marquetry style), 1968. Poppy Records poster, The Poppy Foundation Presents Townes Van Zandt & The Mandrake Memorial, 1968. Poster for a concert by Stevie Wonder at Lincoln Center, 1968.
Poster for Bob Dylan included in Dylan’s 1967 Greatest Hits album.
Advertising poster for Poppy Records release of Dick Gregory’s “The Light Side: The Dark Side,” 1969; Courtesy of National Portrait Gallery, Smithsonian Institution
Album cover of the Blues Roots, from Tomato Records, 1969
Concert poster for Hugh Masekela, at Philharmonic Hall, 1972. Illustration for The New York Times Magazine cover, The Squeeze on the Middle Class, 1980.
I Love New York Catskills, 1985; one of the many iterations of cat and Catskills produced for the New York Board of Tourism
I ♥ NY, 1977; Courtesy of New York State Empire State Development. I ♥ NY More than Ever, SVA subway poster, 2001
Poster for the Mostly Mozart Festival at Lincoln Center, 1983. Promotional poster for Angels in America play, 1993. Poster for the Theatre for a New Audience, 2004. Poster for the 20th Anniversary of the Theatre for a New Audience, 1999.
Graphic elements from the Brooklyn Brewery’s visual identity, 1987
Logo from the Brooklyn Brewery’s visual identity, 1987
To Vote is to Exist, 2016; poster for AIGA’s Get Out The Vote campaign, 2016.
Astor Place Subway Station (IRT), 1986. The colorful murals are meant to evoke the original tile pattern from the 1904 station mosaics
New York is About New York, a promotional poster for New York Magazine, founded by Glaser and Clay Felker, 1967